[...] The rapport between solist and orchestra was axcellent throughout the concerto and some sections in the slow second movement were played so tenderly it seemed they were meant to accompany prayer.
The second half of the concert opened with a polished but stylish performance of the Mozart. This is an orchestra which treats every note written by this composer as if it's the most important note in the piece [...]
Bill Rice
(THE DAILY GAZETTE 9 febbraio 1999)